“You must go north. Find the truth.“
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I STAN this 💖💖💖
I know that @taylorswift said in her first acceptance speech she wash expecting to recieve it, but honestly the @taylornation is a force. OF COURSE WE CAME TO PLAY.
Rose’s Love® Note
We could skip down the street like we were kids again.
We are just us, don’t care if they stare.
And there’s a comforting way, a very safe place when you’re near
I know that we’re end game so baby I’m here for it all
Can I go where you go?
Can we always be this close forever and ever?
And ah, take me out, and take me home
You’re my, my, my, my lover
We could spend time, traveling everywhere
There is no one, I’d rather do it with, then you
I was doubtful that I’d, even find someone, to commit to
I’ve got some rather high standards, but honey you meet them all
Can I go where you go?
Can we always be this close forever and ever?
And ah, take me out, and take me home (forever and ever)
You’re my, my, my, my lover
Ladies and gentlemen, will you please stand?
With every heart ache, now in the past
I take this magnetic force of a man to be my, lover
My heart’s been calloused, and yours has been numb
We are the force that I’ve always dreamt of.
Swear to be kind of obnoxious in love, to my lover
And you’ll want to dance, when there’s no music
And I’ll sing, when I bake for our friends
Can I go where you go?
Can we always be this close forever and ever?
And ah, take me out, and take me home (forever and ever)
You’re my, my, my, my
Oh, you’re my, my, my, my
Darling, you’re my, my, my, my lover
100% ready for the fan art of Elsa and Jack Frost to reemerge.
Would honestly die if Jack Frost was the siren.
Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
So Ladies and Gentlemen what are you gonna do about this?
I saw everyone on twitter tearing Emma Watson apart for saying she’s self - partnered instead of single and decided to watch her interview for British Vogue to know what the hell was she trying to say with that. I was very surprised to find a 30 minute video in which amongst other things she talks about the following:
- She felt undeserving when she was appointed
as UN Women goodwill ambassador and sought out Gloria Steinem to learn about
feminist activism.
- She thinks the criticism
she received for being a white feminist was useful because it made her educate
herself.
- She says there’s a
desperate need to reform the education system in the UK to change the way they
are taught the history of how Britain has been involved in foreign affairs and how
they profited from slavery.
- She felt anxious about approaching
30 because there’s a lot of pressure to have a husband and a baby by then and
she’s still figuring her life out.
- She was so young when
she was casted in Harry Potter that she doesn’t remember much of her life
before it and she went to therapy to deal with her issues with fame. She used
to feel very guilty for being unhappy because she thought she should enjoy fame
more.
- The interviewer is a
transgender woman and they discuss transgender issues for a while. Emma is in
regular contact with a trans child which makes the topic of trans rights emotional for her because she’s very anxious for this kid’s safety.
- She talks about her role
as Meg March in the new Little Women movie and defends that unlike what many
people say choosing to be a wife and a mother doesn’t make Meg a less feminist
character and quotes a line from the movie, “Just because my dreams are
different than yours it doesn’t mean they are unimportant.”
- She wishes more people would
realize she’s not Hermione Granger but also understands why they want to see
that in her because Hermione is a symbol for her too.
- She used to think she
could never be happy without a partner and now that she has learnt to navigate
that better and is genuinely happy single she’s started to think of herself as
self - partnered in contrast to the time when she thought of herself as single
= lonely.
Every media outlet decided to focus in an out of context quote from the three minutes she talked about her dating life when the actual interview had a lot of depth and way more important things were discussed. I’m sad and angry but not surprised.
I said in an interview 13 years ago "I'm just hoping that I have a second album that does as well as the first and someday get to be a headliner, and always be the same person that I started out as.” Scrolling through your posts today has me feeling all the feelings & I want to thank you. Because of you, there was a 2nd 3rd 4th 5th 6th and 7th album. You guys made me into a headliner because you wanted to see me play. And your support all these years is what’s helped me stay true to that kid I was when I started out. #13YearsOfTaylor
She went from trying to find a Place In This World to being The (wo)Man.
unOrdinary - Season 1 Thoughts
Okay finally jumped on the bandwagon and committed my weekend to read unOrdinary. My god, I have not been this stressed from a story in so long.
I am blown away by the commitment of uru-chan to keep the characters dynamic and true to their moral views. It’s my personal preference that John swore too much, but if that’s who he is that’s who he is. I think ultimately it just made me uncomfortable because I want to love him and what he is trying to stand for, but then he just turns into a jerk.
At the end of this season, I think honestly don’t know where to lean in terms of how Wellston should be run. It’s like a choice between:
Arlo: Lawful Evil
John: Chaotic Good
Obviously, I lean towards John cause that’s the story, but I can’t stress this enough HE STRESSES ME THE FUCK OUT.
Future Thoughts:
I really hope that Seraphina works things out with John…in the end. On the other hand what if he has a Harvey Dent moment and turns into the bad guy that she must defeat once (if) she gets her powers back?
One final note I got Moulin Rouge vibes when reading episode 1 when John talks about his father’s book and says “spoiler, he ends up dying”. I know he is talking about the book, but what if it’s a metaphor for Johns’s own life?
Anyway, I can’t wait for it to come back in November! Please post any and all of your theories. I LIVE FOR THIS SHIT.
bloominflowers